Press enter to begin your search Mallory Landy Essay 0 During the nineteenth century some Americans had a dream that they felt was delivered from God. They dreamed of their fatherland stretching from seashore to seashore.
Home and its double: A festschrift in honour of Robert J.
Dramascope will publish the editorial for each new issue to keep our readers abreast of research in the field. We hope this inspires you to read the full journal which you can access for free as a member of the NADTA.
For more information on how to subscribe, please click here. Please note that references for this editorial may be found in the issue. Editorial, Drama Therapy Review — Issue 3. As the founding Director of the New York University Program in Mallory landy Therapy, the first State approved training program of its kind in North America established inLandy laid a foundation for the training of drama therapists.
After 38 years of teaching at the university, he has chosen to retire, though his insights about how drama and performance is healing will continue to inform the theory and praxis of drama therapy. Drama Therapy Review chooses to honour this milestone with this special issue.
He has been one of the most prolific contributors in the world to our body of knowledge, having published thirteen books and over 80 book chapters and peer-reviewed articles. Robert has also written four original plays and three musical theatre productions, and has produced eight films and three music albums.
He has delivered over keynote addresses, conference papers, master classes and workshops and has worked and presented on four continents. Landy has overseen the training of over drama therapy students at NYU alone and many others worldwide.
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In his theory, human well-being may be understood as a breadth of roles and the ability to move with spontaneity and flexibility between them. His critical ideas about theatre and therapy were formulated during the roiling political tumult of the late sixties, the experimental theatre and encounter movements, as well as his love for literature.
By night, he acted in the early companies of the Roundabout Theatre and the Theatre for the New City.
Then the West Coast beckoned. He worked in theatre for several years as actor, director and writer in Santa Barbara and Los Angeles, and then earned his doctorate in interdisciplinary studies in from the University of California, Santa Barbara UCSB on a full fellowship.
This issue begins with tributes from an international group of drama therapists. Readers will find a link to a film made by Landy at NYU with Sue Jennings circa that is a playful dialogue between two early pioneers examining theoretical and practical foundations of drama therapy.
Salvatore Pitruzzella presents us with another meditation on the same book as he considers role taking and role playing as manifestations of intersubjective capacity, the way we mitigate loss, forge an ability for empathy, and affirm life. This issue concludes with an interview with Landy conducted by recent graduate Mallory Minerson.
The interview focuses on the process of integration, which, for Landy, is the goal or destination the leaving and returning home of a drama therapy treatment.
Our relationship spans almost the entirety of my adult life: I have shared with Robert professional collaborations of all kinds: It has brought me into relationship with colleagues whose creativity and courage have sustained me in the dark times and in the brightest.
Robert, in our little world, in the larger world too, what is constant is the abundance of love you have, and the indefatigable courage with which you engage your existence.
You always choose the generative creative process —the making — as the way through life in all of its fragility and majesty. This home is filled with complexity, ambivalence and challenges as well as an unending capacity for critical and creative innovation.
His contemporaries and those who continue to be drawn to this field share his commitment to understanding life through an understanding of theatre and a desire to artfully express imagination in action.
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