One informal analysis suggests short first names are strongly correlated with higher salaries. They are bad in several ways, and modern glyphs are little better.
But the amazing growth of our techniques, the adaptability and precision they have attained, the ideas and habits they are creating, make it a certainty that profound changes are impending in the ancient craft of the Beautiful. In all the arts there is a physical component which can no longer be considered or treated as it used to be, which cannot remain unaffected by our modern knowledge and power.
For the last twenty years neither matter nor space nor time has been what it was from time immemorial.
We must expect great innovations to transform the entire technique of the arts, thereby affecting artistic invention itself and perhaps even bringing about an amazing change in our very notion of art.
Marx directed his efforts in such a way as to give them prognostic value. He went back to the basic conditions underlying capitalistic production and through his presentation showed what could be expected of capitalism in the future.
The result was that one could expect it not only to exploit the proletariat with increasing intensity, but ultimately to create conditions which would make it possible to abolish capitalism itself. The transformation of the superstructure, which takes place far more slowly than that of the substructure, has taken more than half a century to manifest in all areas of culture the change in the conditions of production.
Only today can it be indicated what form this has taken.
Certain prognostic requirements should be met by these statements. However, theses about the art of the proletariat after its assumption of power or about the art of a classless society would have less bearing on these demands than theses about the developmental tendencies of art under present conditions of production.
Their dialectic is no less noticeable in the superstructure than in the economy. It would therefore be wrong to underestimate the value of such theses as a weapon.
They brush aside a number of outmoded concepts, such as creativity and genius, eternal value and mystery — concepts whose uncontrolled and at present almost uncontrollable application would lead to a processing of data in the Fascist sense.
The concepts which are introduced into the theory of art in what follows differ from the more familiar terms in that they are completely useless for the purposes of Fascism. They are, on the other hand, useful for the formulation of revolutionary demands in the politics of art.
I In principle a work of art has always been reproducible. Man-made artifacts could always be imitated by men.
Replicas were made by pupils in practice of their craft, by masters for diffusing their works, and, finally, by third parties in the pursuit of gain. Mechanical reproduction of a work of art, however, represents something new. Historically, it advanced intermittently and in leaps at long intervals, but with accelerated intensity.
The Greeks knew only two procedures of technically reproducing works of art: Bronzes, terra cottas, and coins were the only art works which they could produce in quantity. All others were unique and could not be mechanically reproduced.The Chauvet Cave is the most ancient trace of graphic language by human.
This is a mix-media artwork associating a drawing with charcoal and sanguine pencil (iron oxides, like the original bear in the cave) on paper, with a gestural painting (grey oil paint on acrylic glass above drawing).
The work of Edward Tufte and Graphics Press Graphics Press LLC P.O. Box Cheshire, CT Edward Tufte is a statistician and artist, and Professor Emeritus of Political Science, Statistics, and Computer Science at Yale University.
Writing a Formal Analysis in Art History the formal elements—not interpreting the artwork. That said, an understanding of the meaning of the work is the final goal of any formal analysis.
Getting Started: It may be helpful to start by looking at the work of art and identifying the visual elements. How are they arranged? Is the work. Available both as Web pages (click the title) and as PDF files for easier printing (click PDF). You want an atomic rocket? I'll give you an atomic rocket!.
Yeah, yeah, this ain't an over-the-top torchship like an Orion Drive ship much less Zubrin's outrageous Nuclear Salt Water barnweddingvt.com it is a good working-man's atomic rocket that has the horsepower to Get The Job Done. Orion drives are for battleships, this one is a space trucker hauling cargo.
Art is a diverse range of human activities in creating visual, auditory or performing artifacts (), expressing the author's imaginative, conceptual idea, or technical skill, intended to be appreciated for their beauty or emotional power.
In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic.